We'd walk in, sign our names and walk right out. "The Chicken and the Hawk", "Flip, Flop and Fly",[14] "Hide and Seek", "Morning, Noon and Night", and "Well All Right" were successful recordings from this period. Turner's career endured from the barrooms of Kansas City in the 1920s (when at the age of twelve he performed with a pencilled moustache and his father's hat)[18] to European jazz festivals of the 1980s. [12] "(I'm Gonna) Jump for Joy", his last hit, reached the US R&B record chart on May 26, 1958.[1]. After a number of successes in this vein, Turner quit popular music and resumed singing with small jazz combos, recording numerous albums in that style during the 1960s and 1970s. [1] During the song, Turner yells at his woman to "get outta that bed, wash yo' face an' hands" and comments that she's "wearin' those dresses, the sun comes shinin' through! He sang in his church, and on street corners for money. "Joe Turner Blues" was written by W.C.Handy and copyrighted on 22 December 1915. [10] Also on the program that day were Frankie Laine, The Sweethearts of Rhythm, The Honeydrippers, Little Miss Cornshucks, Jimmy Witherspoon, The Blenders, and The Sensations. [2] He was a master of traditional blues verses, and at Kansas City jam sessions he could swap choruses with instrumental soloists for hours.[13]. In 1939, along with the boogie-woogie pianists Albert Ammons and Meade Lux Lewis, they began a residency at Café Society, a nightclub in New York City, where they appeared on the same playbill as Billie Holiday and Frankie Newton's band. "[22], According to the Blues Hall of Fame, Turner "was a king of the jump blues genre, a boogie woogie belter, progenitor of rhythm & blues and rock ‘n’ roll, and a respected performer in jazz circles. [1], The New York Times music critic Robert Palmer wrote of "his voice, pushing like a Count Basie solo, rich and grainy as a section of saxophones, which dominated the room with the sheer sumptuousness of its sound." The many fine solos inspire Turner, who is in top form on such tunes as "Night Time Is the Right Time," "Wee Baby Blues" and "Roll 'Em Pete." "Joe Turner Blues" was one of the tunes played by Bond's String Band, a late 1920's six to eight piece string band from Corbin, Kentucky, whose personnel was composed almost entirely of railroaders. Ow! Scrobbling is when Last.fm tracks the music you listen to and automatically adds it to your music profile. In announcing Turner's death, the British music magazine NME, in its December 1985 issue, described him as "the grandfather of rock and roll. This little wonder is a cheap 6" one side -disc. [6] In 1950, he recorded the song "Still in the Dark", released by Freedom Records. He also appeared with Count Basie Orchestra. [8] Joe Turner also played at the Cavalcades of Jazz concert held at Wrigley Field in Los Angeles which was produced by Leon Hefflin Sr. on September 23, 1945 to a crowd of 15,000. [1] Together they went to New York City in 1936,[2] where they appeared on a playbill with Benny Goodman, but as Turner recounted, "After our show with Goodman, we auditioned at several places, but New York wasn't ready for us yet, so we headed back to K.C. [1] Besides "Roll 'Em, Pete", Turner's best-known recordings from this period are probably "Cherry Red", "I Want a Little Girl" and "Wee Baby Blues". Turner's records reached the top of the rhythm-and-blues charts. [1] During his career, Turner was part of the transition from big bands to jump blues to rhythm and blues to rock and roll. Rock N' Roll 1938-1946 (Roots Of Rock N' Roll Vol. Count Basie, the Honeydrippers, The Peters Sisters, Slim and Bam and Valaida Snow were also featured artists. The first recording by Big Joe Turner (as Joe Turner) was in 1951, reaching number 2 on the US Billboard R&B chart.. Turner's version was his first success on the Atlantic label established by Ertegun. [6] In 1977 he recorded a cover version of Guitar Slim's song, "The Things That I Used to Do". Turner was born May 18, 1911 in Kansas City, Missouri, United States. The Boss of the Blues is a 1956 album by the American Blues shouter Big Joe Turner. The brothers met Turner in Los Angeles, where he was playing in clubs on Central Avenue and living in the Adams district between tours in the 1960s. Videos. In 1941, he went to Los Angeles and performed in Duke Ellington's revue Jump for Joy in Hollywood. Super Black Blues is an album by the Super Black Blues Band featuring Otis Spann, Joe Turner and T-Bone Walker recorded in Los Angeles in 1969 and originally released by the BluesTime label. He was posthumously inducted into the Rock and Roll Hall of Fame in 1987. [1] The Sunset was managed by Piney Brown. [1] Turner recorded a number of successes for them, including the blues standards, "Chains of Love"[14] and "Sweet Sixteen". He left school at age fourteen to work in Kansas City's nightclubs, first as a cook and later as a singing bartender. See All. In 1951, while performing with the Count Basie Orchestra at Harlem's Apollo Theater as a replacement for Jimmy Rushing, he was spotted by Ahmet and Nesuhi Ertegun, who contracted him to their new recording company, Atlantic Records. Although the cover version of the song by Bill Haley & His Comets, with the risqué lyrics partially omitted, was a greater sales success, many listeners sought out Turner's version and were introduced thereby to rhythm and blues. His father was killed in a train accident when Turner was four years old. See All. Creative Commons Attribution-ShareAlike License. [23], Dave Alvin wrote a song about an evening he spent with Turner, entitled "Boss of the Blues", for his 2009 album, Dave Alvin and the Guilty Women. This reissue from Collectables combines two classic Joe Turner Atlantic sides, Joe Turner and Rockin' the Blues, originally released in 1957 and 1958, respectively.Featuring 28 tracks, including a number of R&B staples that crossed over into the pop realm: "Shake Rattle & Roll," "Flip Flop & Fly," "Honey Hush," "Chains of Love," and more. Written-By – Joe Turner*, Pete Johnson. He became known as "The Singing Barman", and worked in such venues as the Kingfish Club and the Sunset, where he and his partner, the boogie-woogie pianist Pete Johnson, became resident performers. The biographical film The Buddy Holly Story refers to Turner and his contemporaries Little Richard and Fats Domino as major influences on Holly, who is portrayed collecting their vinyl recordings. Turner wrote "Piney Brown Blues" in his honor and sang it throughout his career. [3] He appeared as a singing policeman in a comedy sketch, "He's on the Beat". He sang in his church, and on street corners for money. [6], The song "Corrine, Corrina" was another great seller during 1956. He also performed with the Count Basie Orchestra. View credits, reviews, tracks and shop for the 1975 Vinyl release of "Great Rhythm & Blues Vol. [3], At that time Kansas City nightclubs were subject to frequent raids by the police; Turner said, "The Boss man would have his bondsmen down at the police station before we got there. [6] In addition to the rock music songs, he released Boss of the Blues album in 1956. Some of his songs were so risqué that some radio stations refused to play them, but they received much play on jukeboxes and records. [1], Turner was inducted into the Rock and Roll Hall of Fame in 1987, with the Hall lauding him as "the brawny voiced 'Boss of the Blues'". Big Joe Turner wrote Honey Hush, Roll 'Em Pete and Cherry Red. Photos. [1] Turner received top billing with Count Basie in the Kansas City jazz reunion movie The Last of the Blue Devils (1979), featuring Jay McShann, Jimmy Forrest, and other players from the city. [1] [2] [3] [24] Alvin later collaborated with his brother and former Blaster Phil Alvin on a second reunion album, Lost Time, released in 2015, containing four covers of songs by Turner, including "Cherry Red", "Wee Baby Blues" and "Hide and Seek". Last edit on Feb 13, 2014. View credits, reviews, tracks and shop for the 1967 Vinyl release of "Boss Of The Blues" on Discogs. Go directly to shout page. Mississippi John Hurt wrote and recorded various versions of a song called "Joe Turner Blues. [20] His funeral included musical tributes from Etta James and Barbara Morrison. Then we would cabaret until morning. I can't believe my eyes, all that mess belongs to you. Joe Turner Blues tab by Mississippi John Hurt. "[4], His partnership with Johnson proved fruitful. (1956). Handy. [17] Part of a studio concert was televised by the BBC and later issued on DVD. He toured Australia in 1957 with Lee Gordon's Big Show sharing the bill with Bill Haley and the Comets, LaVern Baker and Freddie Bell and the Bellboys. 2,172 views, added to favorites 27 times. Big Joe Turner originally did Shake It and Break It, Beale Street Blues, World of Trouble, Somebody's Got to Go and other songs. In 1945, he also signed a recording contract with National Records, for which he recorded under the supervision of Herb Abramson. "[28], “Jazz Cavalcade Boasts Top Name Talent for Show” Article Los Angeles Sentinel Aug. 5, 1948, I'm Gonna Sit Right Down and Write Myself a Letter, The Boss of the Blues Sings Kansas City Jazz, "Those Kansas City Blues: A Family History", "Show 3 – The Tribal Drum: The Rise of Rhythm and Blues, Part 1", "Big Joe Turner's final resting place | South Bay History", "Phil and Dave Alvin uncover more common ground on 'Lost Time, "New Album 'Lost Time' Out September 18 on Yep Roc Records", "Joe Turner Blues - Mississippi John Hurt", "The Boss of the Blues - Big Joe Turner | Songs, Reviews, Credits", https://en.wikipedia.org/w/index.php?title=Big_Joe_Turner&oldid=1011554177, Pages using Template:Infobox musical artist with unknown parameters, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with PLWABN identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, "Wee Baby Blues" (1956), a song Turner had been singing since his Kingfish Club days, "Love Roller Coaster" (1956), with new lyrics to the Kansas City classic "Morning Glory". Discover releases, reviews, track listings, recommendations, and more about Joe Turner* - The Boss Of The Blues Sings Kansas City Jazz at Discogs. Big Joe Turner (May 18, 1911, Kansas City, MO, USA - November 24, 1985, Inglewood, CA, USA) was an American blues shouter. [1] The track was basically a collection of traditional blues lyrics. Elvis Presley's version of "Shake, Rattle and Roll" combined Turner's lyrics with Haley's arrangement, but was not a successful single. Popular cover versions. The premier blues shouter of the postwar era, Big Joe Turner's roar could rattle the very foundation of any gin joint he sang within -- and that's without a microphone. [6] He performed on the television program Showtime at the Apollo and in the movie Shake Rattle & Rock! Turner often collaborated with pianist Pete Johnson. His greatest fame was due to his rock-and-roll recordings in the 1950s, particularly "Shake, Rattle and Roll", but his career as a performer endured from the 1920s into the 1980s. "Cherry Red" was recorded in 1939 for the Vocalion label, with Hot Lips Page on trumpet and a full band in attendance. Watch the video for Joe Turner Blues from Mississippi John Hurt's Last Sessions for free, and see the artwork, lyrics and similar artists. In addition he worked with the pianists Art Tatum and Sammy Price and with various small jazz ensembles. The title character of the song originated in Joe Turney (brother of Pete Turney, governor of Tennessee between 1893 and 1897) who had been the subject of a song Handy had first heard sung in around 1895. This page was last edited on 11 March 2021, at 14:47. [21] He was buried at Roosevelt Memorial Park in Gardena, California. Javascript is required to view shouts on this page. It's been a long while since we've been able to do this, but we managed to get together for a bit of a jam today. Tracks marked with an asterisk were million-selling records. In 1977, Turner recorded "I'm Gonna Sit Right Down and Write Myself a Letter" for Spivey Records, with Lloyd Glenn on piano. Have a listen here! 2) 1997, Frémeaux & Associés (FA 352) CD1 Find album reviews, stream songs, credits and award information for Joe Turner's Blues - Big Joe Turner on AllMusic - 1997 It featured "separate but equal" facilities for white patrons. This blues was composed by W.C. Los Angeles was his home for a time, and during 1944 he worked in Meade Lux Lewis's Soundies musical movies. In 1956, the song was covered by Pat Boone, whose version made no. A new version of Last.fm is available, to keep everything running smoothly, please reload the site. He is pictured on the back cover of Lost Time.[25][26][27]. Originally released on the Atlantic label, the album has been reissued many times on cassette and CD by Atlantic, Rhino and Collectables. Big Joe Turner covered Beale Street Blues, Somebody's Got to Go, Twenty-Nine Ways (To Get to My Baby's Door), Blues in the Night (My Mama Done Tol' Me) and other songs. He left school at age fourteen to work in Kansas City's nightclubs, first as a cook and later as a singing bartender. During the 1960s and 1970s he resumed performing jazz and blues music, performing at many music festivals and recording for Norman Granz's Pablo Records. The band specialized in playing blues tunes, but did not record (Wolfe, 1982). He also toured Europe with Count Basie and his orchestra. In 1945 Turner and Pete Johnson established the Blue Moon Club, a bar in Los Angeles. According to songwriter Doc Pomus, "Rock and roll would have never happened without him." 4" on Discogs. [11], Turner made many albums with Johnson, Art Tatum, Sammy Price, and other jazz groups. It was a song that Turner recorded many times, with various musicians, over the ensuing years. In 1965, he toured in England with the trumpeter Buck Clayton and the trombonist Vic Dickenson, accompanied by Humphrey Lyttelton and his band. During an era when Big Joe Turner recordings were often surprise hits with rock & roll fans (particularly "Shake, Rattle and Roll"), he occasionally recorded no-nonsense blues-oriented jazz dates too. "[5] Eventually they were seen by the talent scout John Hammond in 1938,[2] who invited them back to New York to appear in one of his From Spirituals to Swing concerts at Carnegie Hall, which were instrumental in introducing jazz and blues to a wider American audience.[1]. The composition was originally recorded by Prince's Band on 21 July 1916. Download Pdf Big Joe Turner recording. [6] Many of his vocals are punctuated with shouts to the band members, as in "Boogie Woogie Country Girl" ("That's a good rockin' band! Phil Alvin opened for Turner a few times with his first band, Delta Pacific. [6][12] He also worked with Axel Zwingenberger. Cheers Harry Welburn at STEEL&WIRE-SheffieldLive for playing our take on Arthur Alexander's ' You Better Move' on on the Respect show. Turner died of heart failure in November 1985, at the age of 74, in Inglewood, California, having suffered from effects of arthritis, a stroke and diabetes. Hey folks, hope everybody is doing well! Count Basie and an all-star band (including trumpeter Harry Edison, trombonist J.J. Johnson and the tenors of Eddie Davis and Zoot Sims) back up veteran Kansas City blues singer Big Joe Turner on one of his better later albums. [2] Turner stayed with National until 1947, but none of his recordings were big sellers. Turner had great success during 1954 with "Shake, Rattle and Roll", which significantly boosted his career, turning him into a teenage favorite, and also helped to transform popular music. RESPECT for Big Joe Turner - RESPECT:Jazz, Blues & Soul - fortnightly, Thursdays Facebook: Soul Plus. Joe Turner* – Goin' Away Blues. [6] During the next year Turner contracted with Decca and recorded "Piney Brown Blues" with Johnson on piano.[6]. [12] He recorded for several record companies. Turner continued mentoring the Alvin brothers until his death in 1985. Blues In 1890 (Joe Turner Blues) - BIG BILL BROONZY - YouTube Blues" (1945). He became known as "The Singing Barman", and worked in such venues as the Kingfish Club and the Sunset, where he and his partner, the boogie-woogie pianist Pete Johnson, became resident perf… Turner was a resilient figure in the history of blues -- he effortlessly spanned boogie-woogie, jump blues, even the first wave of rock & roll, enjoying great success in each genre. Complete your Joe Turner* collection. Author LedDaveZeppelin [a] 7,961. ) and "Honey Hush" (he repeatedly sings, "Hi-yo, Silver! 10 on the Billboard Hot 100. I suppose it was recorded about in 1918/1919 by the generically called "Emerson Military Band". Joseph Vernon "Big Joe" Turner Jr. (May 18, 1911 – November 24, 1985) was an American blues shouter from Kansas City, Missouri. He won the Esquire magazine award for male vocalist in 1945, the Melody Maker award for best "new" vocalist of 1956, and the British Jazz Journal award as top male singer of 1965. We don’t have any upcoming events for this artist right now. In 1983, two years before his death, Turner was inducted into the Blues Hall of Fame. ", "Go ahead, man! "[15] He sang it on film for the 1955 theatrical feature Rhythm and Blues Revue. Alvin discussed the song in issue 59 of the Blasters Newsletter. He sang on the soundtrack recordings but was not present for filming, and his vocals were mouthed by the comedian Dudley Dickerson for the camera. Connect your Spotify account to your Last.fm account and scrobble everything you listen to, from any Spotify app on any device or platform. Written-By – Joe Turner*, Pete Johnson. [12] Turner also participated in a "Battle of the Blues" with Wynonie Harris and T-Bone Walker.[16]. View interactive tab. [1], Turner was born May 18, 1911 in Kansas City, Missouri, United States. In part because of their appearance at Carnegie Hall, Turner and Johnson had a major success with the song "Roll 'Em Pete". That's just what I need!" A sound recording of a club appearance made during this tour is not thought of sufficient sound quality to justify commercial issue. [7] His first hit single was a cover of Saunders King's "S.K. [1] in 1966, Bill Haley helped revive Turner's career by lending him the Comets for a series of popular recordings for the Orfeón label in Mexico. [2] His father was killed in a train accident when Turner was four years old. [9] Turner also performed in 1948 alongside Dizzy Gillespie at the fourth famed annual Cavalcade of Jazz concert held at Wrigley Field in Los Angeles which on September 12. (Joseph Vernon Turner ; singer- blues, rock and roll) See also Joe Turner & … Some user-contributed text on this page is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply. ", probably with reference to the phrase sung by the Treniers in their Lone Ranger parody, "Ride, Red, Ride"). [19] That same year, the album Blues Train was released by Mute Records; the album featured Turner with the band Roomful of Blues. [8] He recorded the songs "My Gal's a Jockey" and the risqué "Around the Clock" the same year, and Aladdin Records released "Battle of the Blues", a duet with Wynonie Harris. Turner a few times with his first hit single was a cover of Saunders 's... Stayed with National until 1947, but none of his recordings were big sellers 1983. 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