The joke songs are indeed annoying and flow breaking, but there are a lot less than I may have made it seem. I admit that my first thought was: 21 cuts in 29 minutes? After all it was apparently recorded in three days! Overall, Speak English Or Die is legendary, it pioneered so many metal acts, it paved the way for extreme music, it took satire to a whole new level, it redefined thrash, it combined hardcore punk and thrash metal for the first time in history, go buy it right now or FUCKING DIE!!! He has this authentic loutishness one cannot buy and as if this were not enough, his totally sick princess-vocals in the verses of “Pre-Menstrual Princess Blues” are the epitome of insanity. Vocally this is Billy Milano's finest performance and one he would never replicate again either on later Stormtroopers of Death releases or his own band, Method Of Destruction. The lyrics of his later outputs proved that fat Billy’s political attitude and his general mindset are questionable, to express it politely. Once you have heard the (completely primitive) riffs of the first two tracks, you will never forget them again. As soon as the album begins and you hear those menacing riffs, you know that this band is no Anthrax. As it is, I know a lot of hardcore punk bands from the early eighties that have been there before as they sound quite similar and even better than this at some points and maybe this formation wanted to pay a tribute to them or introduce some metal fans to this genre. Lyrics. 2005, CD, Megaforce Records (20th Anniversary Edition, Remastered, Reissue). There's a good chance he'll rage about something that'll hit close to home for you, the listener. To improve the translation you can follow this link or press the blue button at the bottom. It's an album one should have listened to once in a lifetime but nothing you would like to listen to more than only once in a while when the moment has come to lose yourself in a pitiless mosh pit. These both big bangs left no room for further releases, because everything, absolutely everything was ultimately said and done with these two records. I do not own rights to any music or lyrics in this video. Show lyrics (loading lyrics...) 3. (Stormtroopers Of Death). Production is simple but effective. The guitar riffs are one dimensional all the time. Speak English or Die, an Album by S.O.D.. Fuck the Middle East is a 20 second slab of gutbusting metal along with a side of lyrical content that promises to offend. Yes, S.O.D. This album is way up there with the crossover masterpieces “How Will I Laugh Tomorrow” (Suicidal Tendencies), “Crossover” (D.R.I. When taking the formulaic approach of slow park with a crunchy riff for a verse, followed by a hyper speed second for the chorus, then out, or repeating the previous step and then out, it is better to look at it as a primitive formula meant for a very specific purpose, which is to provide a basic foundation for the lyrics to make their point. 's Speak English or Die for free, and see the artwork, lyrics and similar artists. Most songs are 1-2 minutes long or even shorter. He would draw pictures of the face of a character known as "Sargent D," and the pictures would be accompanied by slogans such as "I'm not racist; I hate everyone" and "Speak English Or Die." And with that fuck-the-world mentality flowing through the veins of an early incarnation of Anthrax, S.O.D. The record has the vibe of a party album with many hilarious lyrics such as in the engaging title track "Speak English Or Die" that portrays a special view on immigration coming from a closed minded racist, in the amusingly chaotic interlude "What's That Noise" or in "Pre-Menstrual Princess Blues" which is a parody of a young female teen in her starting puberty. On the other hand, this means nothing else than both albums were perfect, because they embodied exactly what they were intended to be. The differences can be found in the tiniest details. ", sets the tone with its extremely antisocial and violent lyrics. Some songs (Milk, Pre Menstrual Princess Blues, Speak English or Die) actually do a really good job of intertwining the goofy lyrics and the intense music. Originally submitted to (www.metal-observer.com) on January 15, 2011. Alex Perialas' production job is excellent considering that this was bashed out in about three days, and the band is tight, with a great natural, sounding mix. For example, the two seconds of “Diamonds and Rust (Extended Version)” will make you grin, grin or grin. S.O.D. You want to know the only problem of “Speak English or Die”? But back in 1985, the German RockHard magazine, traditionally located on the left side of the political spectrum, was of the opinion that the lyrics dealt with “interesting things”. Children of Bodom is a prime offender of this, constantly covering non metal songs purely for laughs, not because they might actually sound good or show influence or anything, purely for shiggles. The band can't seem if they are in the studio for some lighthearted fun or thrashing listeners' balls off. I always enjoyed these kind of songs. They are nearly all universally offensive with topics ranging from immigration ("Speak English or Die") to international politics ("Fuck The Middle East") to women's menstruation cycles (the hilarious "Pre-Menstrual Princess Blues") to running out of milk ("Milk"). That's the thing about this album that pissed off so many folks, the fact that Scott Ian just LET IT ALL HANG OUT and damn the torpedoes. There are some cool bass fills throughout the song as well. The record titled Speak English or Die was recorded and mixed over three days and has since been recognized as a landmark recording. The vocals are horribly weak and exchangeable. Backed by the furious drumming of Charlie Benante (of Anthrax, of course) and the fast, crass basslines of Danny Lilker (Nuclear Assault, formerly of Anthrax) while being propelled forward by the unusually unfettered speed riffing of Scott Ian (also of Anthrax), Speak English or Die rages from song to song. …and the answer is that there are not many albums with a unique selling point, but “Speak English or Die” is one of them. Personally, I'd say that these songs make the album even better if you're listening to it all the way through, as it feels like an experience of thrash, war, moshing, and fucked up humour, and these tracks do nothing to hurt any of these aspects that the record sticks to, That's what this courageous album was made for and it's definitely effective from that point of view and that's why it still merits a solid rating. played real crossover even before D.R.I. They're far meaner, and much angrier. There are few albums in metaldom that are such violent fun as Stormtroopers of Death's seminal Speak English Or Die. Although everything is very basic and generic, the songs get the listener by the balls immediately. And again, SOD comes under fire for being offensive and immature. There’s no beating around the bush, no screwing around with repetition or development, just the most compacted and concentrated brass-knuckle sandwich to the face in 3 riffs or less that you’ll find on the east side of the metal nation. Admittedly, while this provides for some mindless, ultra-headbangable fun, it's the source of a lot of criticism against the band. Quite so. The guitar work deserves no other attribute than “excellent”. What makes this album genius is the fact that what started out as a little in-between joke turned out to be an immensely influential eighties milestone. What the hell. Musically, we have a mixture of hardcore punk with some thrash and speed metal bits which may have been a rather original crossover fusion back in the time but after three tracks, everything sounds the same and the experiment isn't quite interesting to observe anymore as everything has already happened. We can look back now and say Scott Ian and Charlie Benante are far from the gods they once were but in those days they were two of the tightest thrashers around and Scott Ian in that period did not only write most on the Anthrax classic “Spreading The Disease” but also managed to write most of this classic album together with Dan Lilker. It pummels along like a march until Sergeant D comes up fast and evil to kick your ass. For an album that came about because a bunch of New York thrashers got bored, it’s something that can easily be labeled as classic, not to mention a hilariously amusing collection of intentionally offensive jests. Holy shit, Chromatic Death must be the best 43 second song I’ve ever heard. They should not be taken seriously. S.O.D. The pictures would be accompanied by slogans such as "I'm not racist; I hate everyone" and "Speak English or Die," and Ian would write lyrics about the character. The songs generally stand out with a fair bit of variation between them. The main reason the album doesn't score higher is because of the wasteful throwaways that litter an otherwise intense and high energy thrash record. Sergeant D is coming… and you’re on his list! Not to forget the songs in which Milano boasts about being more hardcore than you ("Milano Mosh") and condemns you for, say, fist banging at a metal concert ("Fist Banging Mania") or for choosing your lover over your friends ("Pussy Whipped"). There are no real solos either but then solos would not really fit into this sort of music. View All. Even with this problem Speak English Or Die still has great replay value from beginning to end. Read or print original Speak English Or Die lyrics 2021 updated! On the whole, it's a fun album, but don't go in looking for anything thought provoking. Scott Ian riffs just as well as he did with Anthrax at the time, Charlie Benante is still one of my favorite drummers of all time, Dan Lilker is solid as usual, and Billy Milano has a perfect crossover shout. Crossover, thrash metal, death metal, crust punk, this record had it all, and deserves way more recognition than it received. If there is one thing that is well known about S.O.D. Milk is one of my personal favourites, the slapstick humour in the lyrics and the delirious songwriting merge together so well, and ironically this sparked one of the first ever crossover songs. Also in mine by the way. I really don't care if it was the band's intention to just make a stupidly fun record, because if I were to rate music based on if it sounds like what the band wanted it to sound like, everything would have a perfect score! The record has the vibe of a party album with many hilarious lyrics such as in the engaging title track "Speak English Or Die" that portrays a special view on immigration coming from a closed minded racist, in the amusingly chaotic interlude "What's That Noise" or in "Pre-Menstrual Princess Blues" which is a parody of a young female teen in her starting puberty. Even in songs that are more driven in terms of structure and hooks, such as Pussy Whipped and Douche Crew, this formula is still used, and every second is brilliant. You weren’t there. Attitude to spare, and followup, "Sergeant D and the S.O.D. The song consists of some very catchy riffing, but is one of the weaker songs on the album. The parade continues with the mosh hymn "Milano Mosh", being followed by the most anti-immigrant song i´ve ever heard, "Speak English or Die" and next by the 40 sec brutal "Chromatic Death" Instrumental. The band are straight to the point with their messages. Milano mosh, Sergeant D and the S.O.D, Kill Yourself and Pi Alpha Nu are all rapid, short but gripping songs that manage to maintain enough groove to keep the listener captivated in this otherwise ridiculous album that is hard to get into at first. Overall song length is extremely short with some being mere blasts lasting a couple of seconds. If the music is fun, that's great, but if it comes off as little more than a poorly written joke, it gets in the way of the enjoyment of the album. for its pithy and blunt approach to pointing out society’s obsession with B.S. The riffs also play a large part in the catchiness of the record. And to think it was only a joke…. The songs are fast and short, but without the well-defined boundaries of say...DRI or Nuclear Assault's output. Never before and never again one could discover such a perfect liaison of ultra-vehement yet unbelievably effective riffs (“Milano Mosh”, “Freddie Krueger”, many more) and biting sarcasm. Thus, this classic shares the destiny of Terrorizer’s debut. Liker and Ian are in their natural element as well. So far, so good, so funny. That opening guitar riff, sort of similar to Megadeth’s Rattlehead is fucking brutal. is a joke band, their players still take the music seriously, and aren't scared to delve into unexplored territory rather than just rushing through song after song, going 200bpm and throwing all potential of dynamic alterations out of the window. Or...DIIIIIEEEEEEEEE!!!!!" “Speak English or Die” was this well-known once-in-a-lifetime record, even though it took a certain time to realise the perfection of the noisy song collection. The micro tunes like "The Ballad of Jimi Hendrix", "Hey Gordy", and "Diamonds and Rust" are throwaways, so I disregard them, hence the points deleted. An album that this can be easily compared to is the equally entertaining, Game Over/ The Plauge by Nuclear Assault. also flaunt with inimitable choruses that keep sticking in the tortured brain immediately. What happens when a soon to be influential thrash metal band finishes recording their second album and they have spare studio time? Maybe it’s a less crooked grin than mine back in 1985, but these nuances are not crucial here. In the end, I give you an advice: You're definitely better off to be in a hilarious mood, accompanied by some wild friends and you should also switch your brain off to fully enjoy this record. If you're a fan of crossover and you haven't heard Speak English Or Die consider this your swift kick in the ass to get on it. Songs like Chromatic Death, Speak English or Die, Kill Yourself, and Sargent D and the S.O.D. The song structures and lengths are all quite alike and the record only focuses on its nasty lyrics. 's Speak English or Die was an important record in the fusion of hardcore punk with thrash and speed metal".. The nineties, the worst years in metal in the eyes of most. Better still: despite their brutality, each and every riff conveys a mischievous smile as well – and the lyrics are so blatantly antisocial that nobody with just one working brain cell could take them seriously. United Forces has a nice little solo. Chromatic Death 00:44 Show lyrics (loading lyrics...) 8. I'll admit, I think The Ballad of Jimi Hendrix is funny as hell, but it's a complete waste otherwise. FIST BANGING MANIA! Catchy chorus’s is something S.O.D. did. His vocals are mean, gritty, deep and almost monotonous, and we wouldn't want it any other way. There’s a time and place for everything, and it sure as hell isn’t college, unless it’s the sick and utterly kickass one that Sergeant D and his minions graduated from. From this follows that the full-length is one of the best entertainer the metal world has ever seen. With such noteworthy courses as dismemberment 101, tasteless humor lab, and piss off feminists workshop, one can’t help but bang his head in utter euphoria at how this album earns its B.S. But then one doesn't listen to 1980s crossover if they want to listen to something that is well produced. His voice is great for the style of music played throughout the record, it has a very rough quality. are a crossover band that was originally developed as a side project by Scott Ian of Anthrax who wanted to play around with a more crossover sound. One can’t also help but laugh hysterically at S.O.D. Maybe that’s what I love so much about Sargent ‘D’. does, and they do it well. Format: Vinyl. The lyrical content is genius, although very controversial, and a lot of the shorter songs on this album are mainly focused on the hilarious lyrics. But generally, it will make you want to mosh. And that’s just the beginning. It's like all the lyrics were written at the spur of the moment, about whatever Billy Milano and the boys felt like at the time. Finally comes the "Laughing 'till fall on the floor" section with one of the longest ballads i´ve ever heard a thrash band playin'. MRI 1269; Vinyl LP). Midpaced drums open up Milano Mosh which is a highlight. The lyrics blast at a 10 words-per-second pace, and are about racist things (But no-body can be offended; the lyrics are way too fast to understand) and shit. Not to mention “Douche Crew” with its catchy background vocals. Not to mention song titles such as “Pre-Menstrual Princess Blues”, “Pussy Whipped” or (comparatively lame) “Kill Yourself” (but despite its pretty trite title absolutely fanatic and outstanding). Okay, maybe I’m reaching a little bit with all these fruity metaphors, but this is literally the most intense fit of neck-wrecking, knee-slapping, hardcore experiences out there in a 28 minute package, and from an auspicious year like 1985 no less. Either way, onto the music. It’s a bunch of static over Billy going insane and the band playing the same shit over and over again. That band was still three years away from their first real crossover record “How Will I Laugh Tomorrow”. Just take a look on the hilarious cover artwork by guitarist Scott Ian. Milano does a very good job on vocals throughout the album, belting out high pitched screams to intimidating hardcore styled vocals to those vicious vocals like in the title track. We all know about how S.O.D. Those lyrics are just shock value provocation. As to be expected Benante's drumming is top notch and completely unrestrained compared to his work in Anthrax. Ignore all the short joke tracks ("Anti-Procrastination Song," "What's That Noise," among others) and there's some quality songwriting to be found. I don't want to seem severe or boring and know that the project doesn't take itself very serious but there is nevertheless the musical side of this album. Unfortunately, the band takes their humorous lyrical approach a bit too seriously at times and churn out worthless time wasters like Hey Gordy!, What's that Noise?, Diamonds and Rust (Extended Version), and Anti Procrastination Song. But let’s evaluate “Speak English or Die” without regarding later evolutions. 4.6 out of 5 stars 130 ratings. And at the end of the day, the lyrics on here really do tend to be more memorable than the riffs, simply because of how impulsive they are. Best viewed without Internet Explorer, in 1280 x 960 resolution or higher. All of the songs are good to thrash fans but there are several highlights among this massive 21 song set. Big fat groovy riffs compete with ridiculously fast sections to create a fun and moshy experience. The question is: why? unfolds and due to the outstanding, very powerful production, all instruments shine in full glory (by the way, how many snare drums were killed during the recording of the completely mad “Milk”?). In the course of the record they never stray too far away from the crossover sound, but with how fun the music plays out to be it is very hard to get bored during the fairly short running time of the album. United Forces shows a more creative side of the band, as the drummer Charlie Benante actually plays the guitar on this track, which proves the musical versatility of the players, and that even though S.O.D. A milestone in metal and crossover history. paying their 6 second homage to a guitar legend in “Ballad Of Jimi Hendrix” by reminding him that he’s dead. Also songs such as “Kill Yourself”, “Speak English Or Die”, “Freddy Krueger”, “Pussy Whipped” and “Fist Banging Mania” were somewhat longer crossover tunes with regular changes in pace, enough variety in riffing and catchy chorusses. As the whole thing gets though quite redundant in its short running time, this record won't get an excellent note from me, though and my final verdict seems rather neutral. So musically, this album earns exemplary marks for a few excellent thrashers, but far too much goofing off for it's own good. But in spite of these guys not being Dark Angel, they deliver a similar level of intensity in a much more basic passage. Thrash influenced grooves. A trendsetting album. Scott had a bunch of them written already. Former Anthrax roadie Milano belts them out with a ferocious amount of confidence. In the case of “Speak English or Die ” I would be so emotionally attached to this album musically and the relevance from a historical point of view that I’m obliged to say “If you don’t get it, you shan’t be allowed to review it”. Three letters hit me like hammer blows: S.O.D.! It thrashes everything in site but before your 4th headbang it’s over. The title track is one of the few track that seem like actual songs which is very good. Perialas really knew his stuff--Carnivore's "Retaliation" comes to mind as another good 'un he produced--Scott's guitar is like a chainsaw, with Danny's eeeevil grinding bass backing it up in spades, and the drum sound is perfect for this band's approach. Sometimes the groovy riffs do merge into one another but this does not detract from the album. 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